Gå til innhold

Emo-kids, tre frem fra skyggene!


Anbefalte innlegg

musikken dems som fasinerer meg..

5523580[/snapback]

isåfall er det jo ikke håp, gutt.

emo-musikk er dårlig...elendig faktisk. totalt sjanseløse, flaut banale tekster om at livet suger og at dama di har slått opp, og totalt utekniske powerchords med distorta gitarer. ikke rart det blusser opp emo-band i hopetall borte i statene, for man trenger ikke jo ikke talent...verken når det gjelder låtskriving eller instrumenttraktering.

Lenke til kommentar
Videoannonse
Annonse
folk som bryr seg viser følelser er ekte mannfolk.

5523490[/snapback]

Vel, å vise følelser utenom sinne er vel strent tatt ikke så veldig maskulint. :shrug:

(Ikke at det er noe galt, sånn sett...)

 

Sondre^^: Få dette inn i hodet ditt: musikk er subjektivt. EO-fucking-D. Folk har forskjellige meninger ang. musikk og hvoren uenig du er med dem så er det fulstenidg 100% idiotisk å rakke ned på andre's musikksmak på den måten. (Særlig her, du kan jo sære de ultra-følsomme EMO'ene. :green:)

Endret av TLZ
Lenke til kommentar
Sondre^^: Få dette inn i hodet ditt: musikk er subjektivt. EO-fucking-D. Folk har forskjellige meninger ang. musikk og hvoren uenig du er med dem så er det fulstenidg 100% idiotisk å rakke ned på andre's musikksmak på den måten. (Særlig her, du kan jo sære de ultra-følsomme EMO'ene. :green:)

5523613[/snapback]

milde himmel, for et dørgende kjedelig svart/hvitt idealist-bilde av musikk du sitter inne med =]

 

altså, jeg sier ikke at hans subjektive oppfatning av musikken er dårlig. det er den sannsynligvis ikke. jeg sier derimot at sjangeren emo, musikken som finnes innenfor sjangeren, og de fleste musikerne og banda sjangeren omfatter, suger. ganske kraftig også, burde jeg kanskje legge til. "emo is the new boyband". sjelløs flat drittmusikk har alltid eksistert. på 90-tallet var den basert på tenåringsgutter med piggsveis og åpne skjorter, og tilpasset hylende fjortissjenter med rosa ryggsekker. den gangen het de backstreet boys og westlife. i dag er de tilbake, som taking back sunday og my chemical romance. fortsatt like flatt og sjelløst, men tilpasset den nye "motementaliteten" (ihvertfall i usa, ikke i norge heldigvis)...nemlig triste, "individuelle" emoer som "skiller seg ut" og "ikke er som alle de andre kjedelige menneskene". selv om det er akkurat det de er.

Endret av Sondre^^
Lenke til kommentar

Jeg poster aldri her, men tror noen trenger en innføring i hva musikksjangeren Emo(core) egentlig er. Les og bli klok:

 

Originally an arty outgrowth of hardcore punk, emo became an important force in underground rock by the late '90s, appealing to modern-day punks and indie-rockers alike. Some emo leans toward the progressive side, full of complex guitar work, unorthodox song structures, arty noise, and extreme dynamic shifts; some emo is much closer to punk-pop, though it's a bit more intricate. Emo lyrics are deeply personal, usually either free-associative poetry or intimate confessionals. Though it's far less macho, emo is a direct descendant of hardcore's preoccupations with authenticity and anti-commercialism; it grew out of the conviction that commercially oriented music was too artificial and calculated to express any genuine emotion. Because the emo ideal is authentic, deeply felt emotion that defies rational analysis, the style can be prone to excess in its quest for ever-bigger peaks and releases. But at its best, emo has a sweeping power that manages to be visceral, challenging, and intimate all at once. The groundwork for emo was laid by Hüsker Dü's 1984 landmark Zen Arcade, which made it possible for hardcore bands to tackle more personal subject matter and write more tuneful and technically demanding songs. Emo emerged in Washington, D.C. not long after, amidst the remnants of the hardcore scene that had produced Minor Threat and Bad Brains. The term "emo" (sometimes lengthened to "emocore") was initially used to describe hardcore bands who favored expressive vocals over the typical barking rants; the first true emo band was Rites of Spring, followed by ex-Minor Threat singer Ian MacKaye's short-lived Embrace. MacKaye's Dischord label became the center for D.C.'s growing emo scene, releasing work by Rites of Spring, Dag Nasty, Nation of Ulysses, and MacKaye's collaboration with members of Rites of Spring, Fugazi. Fugazi became the definitive early emo band, crossing over to alternative rock listeners and getting press for their uncompromisingly anti-commercial attitudes. Aside from the Dischord stable, most early emo was deeply underground, recorded by extremely short-lived bands and released on vinyl in small quantities by small labels; some vocalists literally wept onstage during song climaxes, earning derision from hardcore purists. Fugazi notwithstanding, emo didn't really break out of obscurity until the mid-'90s emergence of Sunny Day Real Estate, whose early work defined the style in the minds of many. Tempering Fugazi's gnarled guitar webs with Seattle grunge, straight-up prog-rock, and crooned vocals, SDRE launched a thousand imitators who connected with their dramatic melodies and introspective mysticism. Some of this new generation connected equally with the wry, geeky introspection and catchy punk-pop of Weezer's Pinkerton album. While several artists continued to build on Fugazi's innovations (including Quicksand and Drive Like Jehu), most '90s emo bands borrowed from some combination of Fugazi, Sunny Day Real Estate, and Weezer. Groups like the Promise Ring, the Get Up Kids, Braid, Texas Is the Reason, Jimmy Eat World, Joan of Arc, and Jets to Brazil earned substantial followings in the indie-rock world, making emo one of the more popular underground rock styles at the turn of the millennium.

Kilde:AllMusic

Lenke til kommentar

senses fail - Tie her down

So, love me gently with a chainsaw

And take the glass against your wrists

You know I am your worst nightmare

Oh, how you love my bloody kiss

 

But it's time to die

(You're worth more dead)

 

Tell me your fantasies

I'll make you believe

That I really care

I'll look into your eyes

I'll tell you all my lies

As I take you slow

 

So, love me gently with a chainsaw

I'll leave you like your father did

I'll bite your lip, so fucking, so hard

And watch the innocence just drip

 

Down your chest

And into my mouth

 

Tell me your fantasies

I'll make you believe

That I really care

I'll look into your eyes

I'll tell you all my lies

As I take you slow

 

(So take your tears and go away)

So take your tears and go away

A bitter ending from a slow decay

So take your tears and go away

 

And I'll sit here with a smile and a match

 

The pain, she cried, the heartache

The lies, she cried, the heartache

The life, she cried, the heartache

And your life, she cried

And the heartache

 

From first to last - populace in two

your memories will always haunt me like a ghost

to put it nicely I hope you choke

a poet of sorts but I'm not enough to give you an eyesore

it's hard to swallow with your hands around my throat

I'm sick and tired of I told you so

you can call me at home but i know better than to answer the phone

when people ask about the last time that we spoke

I let the stiches do the talking for the most part

and I leave out how you threw the lamp through my front window

 

just burn the photographs and bury all the pages that we knew

in short this is a long goodbye to unexpecting you

just burn the photographs and bury all the pages that we knew

in short this is a long goodbye to unexpecting you

 

Even if i spend 2004 listening to morrisey in my car

I'm better off alone than i would be in your arms

Even if i spend 2004 listening to morrisey in my car

I'm better off alone than i would be in your arms

 

In your arms

Im better off alone

 

just burn the photographs and bury all the pages that we knew

in short this is a long goodbye to unexpecting you

just burn the photographs and bury all the pages that we knew

in short this is a long goodbye to unexpecting you

 

just burn the photographs and bury all the pages that we knew

in short this is a long goodbye to unexpecting you

just burn the photographs and bury all the pages that we knew

in short this is a long goodbye to unexpecting you

 

to unexpecting you (to unexpecting you)

just burn the photographs

to unexpecting you (to unexpecting you)

 

det der er tekster fra emo band..

Lenke til kommentar

dagens emo er fremdeles emo. å gjemme seg bak mainstreamdefinisjonen er bare tull.

..men ja, korrupsjonen av emo er stor, de som ønsker å tro at emo er metall osv får bare gjøre det.

 

emo er hardcore og er en smalere sjanger enn de fleste vil tro

Lenke til kommentar
ingen kan komme her å si at from first to last ikke er emo.

5524397[/snapback]

 

nå måtte jeg ta google til hjelp igjen du...og som jeg trodde. dette er ikke emo. dersom du er av denne oppfatningen er du feilinformert.

 

er det så innmari utenkelig at du tar feil?

Lenke til kommentar
ingen kan komme her å si at from first to last ikke er emo.

5524397[/snapback]

 

nå måtte jeg ta google til hjelp igjen du...og som jeg trodde. dette er ikke emo. dersom du er av denne oppfatningen er du feilinformert.

 

er det så innmari utenkelig at du tar feil?

5524453[/snapback]

påstår fortsatt at dette er emo/hardcore..

 

Bandet l8r sa en gang at de spilte rock/popmetal. Stemte dette?

Lenke til kommentar

Opprett en konto eller logg inn for å kommentere

Du må være et medlem for å kunne skrive en kommentar

Opprett konto

Det er enkelt å melde seg inn for å starte en ny konto!

Start en konto

Logg inn

Har du allerede en konto? Logg inn her.

Logg inn nå
  • Hvem er aktive   0 medlemmer

    • Ingen innloggede medlemmer aktive
×
×
  • Opprett ny...