Filmer regissert av kvinner

[kjidel]

Er det ikke rart hvor få gode filmer det finnes der ute, som er regissert av kvinner?

 

Prøvde å snekre sammen en topp 5 over gode filmer jeg har sett som er regissert av kvinner, men kom ikke særlig langt:

1. Lost in Translation (Sofia Coppola, 2003)
   
2. Awakenings (Penny Marshall, 1990)
   
3. Little Miss Sunshine (Valerie Faris, sammen med Jonathan Dayton, 2006)
   
4. Away from Her (Sarah Polley, 2006)
   
5. Waitress (Adrienne Shelly, 2007)
   

Andre kjente navn: Susanne Bier, Nora Ephron, Liv Ullmann

 

Kom over en liste på nettet over filmer regissert av kvinner, men denne er nok ufullstendig:

 

• ADOPTION (Márta Mészáros, 1975)
  
• THE ADVENTURES OF PRINCE ACHMED (Lotte Reiniger, Carl Koch, Walther Ruttmann, Bertold Batosch, 1926)
  
• AFTER THE WEDDING (Susanne Bier, 2006)
  
• AMERICAN PSYCHO (Mary Harron, 2000)
  
• AN AMERICAN RHAPSODY (Éva Gárdos, 2001)
  
• O AMOR NATURAL (Heddy Honigmann, 1996)
  
• ÁNGEL DE FUEGO (Dana Rotberg, 1992)
  
• THE APPLE (Samira Makhmalbaf, 1997)
  
• THE APPLE GAME (Věra Chytilová, 1977)
  
• ASCENT (Larisa Shepitko, 1976) (B)
  
• AT FIVE IN THE AFTERNOON (Samira Makhmalbaf, 2003)
  
• AWAY FROM HER (Sarah Polley, 2006)
  
• BALLETS RUSSES (Daniel Geller, Dayna Goldfine, 2005)
  
• BEAU TRAVAIL (Claire Denis, 1999)
  
• THE BIGAMIST (Ida Lupino, 1953)
  
• BITTER SWEAT (Sonia Valentín, 2003)
  
• BLACKBOARDS (Samira Makhmalbaf, 2000) (F)
  
• BLACK KITES (Jo Andres, 1996) (D)
  
• BOLS[H]E VITA (Ibolya Fekete, 1995)
  
• LE BONHEUR (Agnès Varda, 1964)
  
• BRAVE NEW LAND (Lúcia Murat, 2000)
  
• BROTHERS (Susanne Bier, 2004)
  
• LA BUCHE (Danièle Thompson, 1999)
  
• BUSINESS AS USUAL (Lezli-An Barrett, 1988)
  
• BUTTERFLY (Yan Yan Mak, 2004)
  
• BYE BYE, RED RIDING HOOD (Márta Mészáros, 1989)
  
• LA CAPTIVE (Chantal Äkerman, 2000)
  
• CARAMEL (Nadine Labaki, 2007)
  
• CARMELITA TROPICANA: YOUR KUNST IS YOUR WAFFEN (Ela Troyano, 1994)
  
• THE CAVE OF THE YELLOW DOG (Byambasuren Davaa, 2005)
  
• CELESTIAL CLOCKWORK (Fina Torres, 1995)
  
• CELIA (Ann Turner, 1988)
  
• CHERRY BLOSSOMS—HANAMI (Doris Dörrie, 2008)
  
• CHILD MURDERS (Ildikó Szabó, 1993)
  
• CHILDREN OF THE CENTURY (Diane Kurys, 1999)
  
• CHOCOLAT (Claire Denis, 1988)
  
• CHRONICLE OF ANNA MAGDALENA BACH (Jean-Marie Straub, Danièle Huillet, 1967) ©
  
• EL CIELITO (María Victoria Menis, 2004)
  
• CITY OF GOD (Fernando Meirelles, Kátia Lund, 2002) (E); fp
  
• CLASS RELATIONS (Jean-Marie Straub, Danièle Huillet, 1984) ©
  
• CLEO FROM 5 TO 7 (Agnès Varda, 1961)
  
• COMMENT ÇA VA? (Jean-Luc Godard, Anne-Marie Miéville, 1976)
  
• THE COMPANY OF STRANGERS (Cynthia Scott, 1990)
  
• CRAIG’S WIFE (Dorothy Arzner, 1936)
  
• DAISIES (Věra Chytilová, 1966) (B)
  
• DANZÓN (María Novaro, 1991) (E)
  
• THE DAY HAS GONE (Márta Mészáros, 1968)
  
• DE CIERTA MANERA (Sara Gómez Yera, Julio García Espinosa, Tomás Gutiérrez Alea, 1977) (E)
  
• DANCE, GIRL, DANCE (Dorothy Arzner, 1940)
  
• THE DAY I BECAME A WOMAN (Marzieh Meshkini, 2000)
  
• DELUGE (Salem Mekuria, 1995) (E)
  
• D’EST (Chantal Äkerman, 1993) (A); fp
  
• DIARY FOR MY CHILDREN (Márta Mészáros, 1981; 1984)
  
• DIVAN (Pearl Gluck, 2003)
  
• THE EIGHTH DAY OF CREATION (Juan José Medina, Rita Basulto, 2000)
  
• EMPORTE-MOI (Léa Pool, 1999)
  
• EUROPA EUROPA (Agnieszka Holland, 1990)
  
• FAITHLESS (Liv Ullmann, 2000)
  
• THE FALL OF FUJIMORI (Ellen Perry, 2005)
  
• THE FALL OF THE ROMANOV DYNASTY (Esther Shub, 1927) (B)
  
• FAREWELL (Elem Klimov, Larisa Shepitko, 1981)
  
• FAT GIRL (Catherine Breillat, 2001)
  
• THE FIFTH REACTION (Tahmineh Milani, 2003)
  
• THE FOOL (Christine Edzard, 1990)
  
• THE FOOTBALL INCIDENT (Joris Ivens, Marceline Loridan, 1976)
  
• FOREVER (Heddy Honigmann, 2006)
  
• DAS FRÄULEIN (Andrea Staka, 2006)
  
• FRIDAY NIGHT (Claire Denis, 2004)
  
• FROM THE OTHER SIDE (Chantal Äkerman, 2002) (E); fp
  
• THE FRUIT OF PARADISE (Věra Chytilová, 1969) (B)
  
• GERMANY, PALE MOTHER (Helma Sanders-Brahms, 1979)
  
• LES GLANEURS ET LA GLANEUSE (Agnès Varda, 2000)
  
• GOAL DREAMS (Maya Sanbar, Jeffrey Saunders, 2006)
  
• GOLDEN EIGHTIES (Chantal Äkerman, 1986)
  
• GRBAVICA (Jasmila Žbanić, 2006)
  
• HARVEST TIME (Marina Razbezhkina, 2004) (B); fp
  
• HERE AND PERHAPS ELSEWHERE (Lamia Joreige, 2003) (F)
  
• HER NAME IS SABINE (Sandrine Bonnaire, 2007)
  
• HIDE AND SEEK (Su Friedrich, 1996)
  
• HIGH SEASON (Clare Peploe, 1987)
  
• THE HITCH-HIKER (Ida Lupino, 1953)
  
• HOLLOW CITY (Maria João Ganga, 2004) (E); fp
  
• HONEY AND ASHES (Nadia Farès, 1996)
  
• HOTEL MONTEREY (Chantal Äkerman, 1972)
  
• HOUR OF THE STAR (Suzana Amaral, 1985) (E)
  
• THE HOUSE IS BLACK (Forough Farrokhzad, 1962) (F)
  
• HOUSE OF SAND (Andrucha Waddington, 2005)
  
• HOW MUCH FARTHER (Tania Hermida, 2006)
  
• HOW THE ELEPHANT LOST HIS WINGS (Tara Purnima Douglas, 2006)
  
• I DON’T KNOW WHAT YOUR EYES HAVE DONE TO ME (Lorena Muñoz, Sergio Wolf, 2003)
  
• INCH’ALLAH DIMANCHE (Yamina Benguigui, 2001)
  
• THE INHERITANCE, OR FUCKOFFGUYSGOODDAY (Věra Chytilová, 1993)
  
• INNOCENCE (Lucile Hadzihalilovic, 2004)
  
• THE INTRUDER (Claire Denis, 2004)
  
• ITALIAN FOR BEGINNERS (Lone Scherfig, 2000) ©; fp
  
• (JADE) GODDESS OF MERCY (Ann Hui, 2003)
  
• EL JARDÍN DEL EDÉN (María Novaro, 1994) (E)
  
• JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (Chantal Äkerman, 1975)
  
• JELLYFISH (Etgar Keret, Shira Geffen, 2007)
  
• THE JESTER AND THE QUEEN (Věra Chytilová, 1987)
  
• JOSÉ RIZAL (Marilou Diaz-Abaya, 1998)
  
• JOURNEY TO THE SUN (Yesim Ustaoglu, 1999) (F); fp
  
• JULY RHAPSODY (MAN OF 40; Ann Hui, 2001)
  
• LE JUPON ROUGE (Geneviève Lefebvre, 1987)
  
• KEPT AND DREAMLESS (Martin De Salvo, Vera Fogwill, 2005)
  
• KHADAK (Peter Brosens, Jessica Hope Woodworth, 2006)
  
• KHAK-E SAR BEH MORH (Marva Nabili, 1977) (A)
  
• KRISTIN LAVRANSDATTER (Liv Ullmann, 1995)
  
• THE LAST STOP (Wanda Jakubowska, 1947)
  
• LETTER FROM AN UNKNOWN WOMAN (Xu Jinglei, 2004)
  
• LIFE AND DEBT (Stephanie Black, 2001) (E)
  
• LIONS LOVE (Agnès Varda, 1969)
  
• LITTLE DORRIT (Christine Edzard, 1988)
  
• THE LITTLE FUGITIVE (Morris Engel, Ruth Orkin, Ray Ashley, 1953)
  
• LITTLE MISS SUNSHINE (Jonathan Dayton, Valerie Faris, 2006)
  
• LITTLE WOMEN (Gillian Armstrong, 1994)
  
• LOST AND DELIRIOUS (Léa Pool, 2001)
  
• THE LOST HONOR OF KATHARINA BLUM (Margarethe von Trotta, Volker Schlöndorff, 1975) ©
  
• LOST IN TRANSLATION (Sofia Coppola, 2003)
  
• LOVING COUPLES (Mai Zetterling, 1964)
  
• MADEINUSA (Claudia Llosa, 2006)
  
• MALDEAMORES (Carlos Ruíz Ruíz, Mariem Pérez Riera, 2007)
  
• THE MAN FROM LONDON (Béla Tarr, Ágnes Hranitzky, 2007)
  
• THE MAN WHO CRIED (Sally Potter, 2000)
  
• LA MATERNELLE (Jean Benoît-Lévy, Marie Epstein, 1933)
  
• MERRILY WE GO TO HELL (Dorothy Arzner, 1932)
  
• ME YOU THEM (Andrucha Waddington, 2000)
  
• MOLOM, A LEGEND OF MONGOLIA (Marie-Jaoul de Poncheville, 1995)
  
• MONSOON WEDDING (Mira Nair, 2002)
  
• MONSTER (Patty Jenkins, 2003)
  
• MY COUNTRY, MY COUNTRY (Laura Poitras, 2006)
  
• MY NAME WAS SABINA SPIELREIN (Elisabeth Márton, 2002)
  
• THE NAMESAKE (Mira Nair, 2006)
  
• NEAR DARK (Kathryn Bigelow, 1987)
  
• NENETTE AND BONI (Claire Denis, 1996)
  
• NERAKHOON (Ellen Kuras, Thavisouk Phrasavath, 2008)
  
• THE NEW LAND (Orna Ben-Dor Niv, 1994)
  
• NEWS FROM HOME (Chantal Äkerman, 1977) (D)
  
• NICO ICON (Susanne Ofteringer, 1995)
  
• NIGHT AND DAY (Chantal Äkerman, 1991)
  
• NIGHTSONGS (Marva Nabili, 1983)
  
• NINA’S JOURNEY (Lena Einhorn, 2005) ©; fp
  
• NOBODY’S WIFE (María Luisa Bemberg, 1982)
  
• NORA (Pat Murphy, 2000)
  
• NOWHERE IN AFRICA (Caroline Link, 2001)
  
• NUMERO DEUX/ESSAI TITRES (Jean-Luc Godard, Anne-Marie Miéville, 1975)
  
• OLD BELIEVERS (Jana Sevciková, 2001) (B)
  
• OLD ENOUGH (Marisa Silver, 1984)
  
• OLD JOY (Kelly Reichardt, 2006)
  
• OLIVIER, OLIVIER (Agnieszka Holland, 1992)
  
• OR (Keren Yedaya, 2004)
  
• OTILIA RAUDA (Dana Rotberg, 2001)
  
• PARIS, JE T’AIME (Gurinder Chadha, Isabel Coixet, Daniela Thomas and a bunch of guys, 2006)
  
• THE PASSION OF MARIA ELENA (Mercedes Moncada Rodríguez, 2003) (E); fp
  
• A PERFECT DAY (Joana Hadjithomas, Khalil Joreige, 2005)
  
• PERMANENT RECORD (Marisa Silver, 1988)
  
• PERSEPOLIS (Marjane Satrapi, Vincent Paronnaud, 2007)
  
• LA PETITE JERUSALEM (Karin Albou, 2005)
  
• THE PHARMACY (Joris Ivens, Marceline Loridan, 1972-75)
  
• THE PIANO (Jane Campion, 1993)
  
• THE PIANO TUNER (Kira Muratova, 2004)
  
• PIEMULE (Jana Sevciková, 1984; 1992) (B)
  
• PLACE VENDOME (Nicole Garcia, 1998)
  
• LA POINTE COURTE (Agnès Varda, 1953)
  
• THE PREFAB STORY (Věra Chytilová, 1979)
  
• PRIEST (Antonia Bird, 1994)
  
• PRIVATE CONFESSIONS (Liv Ullmann, 1996) ©; fp
  
• THE PROMISE (Margarethe von Trotta, 1995)
  
• PROOF (Jocelyn Moorhouse, 1991) (D); fp
  
• PROVINCIAL ACTORS (Agnieszka Holland, 1978)
  
• RACHIDA (Yamina Bachir Chouikh, 2002)
  
• REAL WOMEN HAVE CURVES (Patricia Cardoso, 2002)
  
• RED ROAD (Andrea Arnold, 2006)
  
• LES RENDEZ-VOUS D’ANNA (Chantal Äkerman, 1978)
  
• RESPIRO (Emanuele Crialese, 2002)
  
• RETURN TO ME (Bonnie Hunt, 2000)
  
• THE REVOLUTION WILL NOT BE TELEVISED (Kim Bartley, Donnacha O’Briain, 2003) (E)
  
• ROMAN POLANSKI: WANTED AND DESIRED (Marina Zenovich, 2008)
  
• ROSA LUXEMBURG (Margarethe von Trotta, 1986) ©
  
• ROSENSTRASSE (Margarethe von Trotta, 2003)
  
• RYNA (Ruxandra Zenide, 2005)
  
• SA’AH (Sarah Del Seronde, 2005)
  
• THE SCARLET FLOWER (Irina Povolotskaya, 1977)
  
• THE SEASON OF MEN (Moufida Tlatli, 2000)
  
• 7 SONGS FROM THE TUNDRA (Markku Lehmuskallio, Anastasia Lapsui, 1999)
  
• THE 17TH PARALLEL: THE PEOPLE’S WAR (Joris Ivens, Marceline Loridan, 1968)
  
• SEX IS COMEDY (Catherine Breillat, 2002)
  
• SHARK IN THE HEAD (Mária Procházková, 2004)
  
• SHEER MADNESS (Margarethe von Trotta, 1982) ©; fp
  
• SHEM (Caroline Roboh, 2004)
  
• SHREK (Andrew Adamson, Vicky Jenson, 2001)
  
• THE SILENCES OF THE PALACE (Moufida Tlatli, 1994) (E)
  
• SILENT WATERS (Subiha Sumar, 2003) (F); fp
  
• SIN DEJAR HUELLA (María Novaro, 2000) (E)
  
• SINK OR SWIM (Su Friedrich, 1990) (D)
  
• SISTERS, OR THE BALANCE OF HAPPINESS (Margarethe von Trotta, 1979)
  
• SLUMDOG MILLIONAIRE (Danny Boyle, Loveleen Tandan, 2008)
  
• SOMETHING’S GOTTA GIVE (Nancy Meyers, 2003)
  
• SONG OF THE EXILE (Ann Hui, 1990)
  
• A SOUL HAUNTED BY PAINTING (Huang Shuqin, 1993)
  
• STOLEN LIFE (Li Shaohong, 2005)
  
• STOP-LOSS (Kimberly Peirce, 2008)
  
• STRANGE CULTURE (Lynn Hershman Leeson, 2007)
  
• STRANGER INSIDE (Cheryl Dunye, 2001)
  
• TAINA-KAN, THE BIG STAR (Adriana Figueiredo, 2005)
  
• A TALE OF THE WIND (Joris Ivens, Marceline Loridan, 1988)
  
• THE TANGO LESSON (Sally Potter, 1997) (D); fp
  
• THESE HANDS (Flora M’mbugu-Schelling, 1992) (E)
  
• THINGS WE LOST IN THE FIRE (Susanne Bier, 2007)
  
• THE THIRD MIRACLE (Agnieszka Holland, 1999)
  
• TIES THAT BIND (Su Friedrich, 1985) (D)
  
• TIME & TIDE (Julie Bayer, Josh Salzman, 2005)
  
• TOMORROW WE MOVE (Chantal Äkerman, 2004)
  
• TOUTE UNE NUIT (Chantal Äkerman, 1982)
  
• TOWARDS EVENING (Francesca Archibugi, 1991)
  
• TROUBLE EVERY DAY (Claire Denis, 2001)
  
• TWO WOMEN (Tahmineh Milani, 1999)
  
• UNDER THE SAME MOON (Patricia Riggen, 2007)
  
• UNDER THE SKIN OF THE CITY (Rakhshan Bani-Etemad, 2001) (F); fp
  
• VAGABOND (Agnès Varda, 1985)
  
• VERY ANNIE MARY (Sara Sugarman, 2001)
  
• WAITING FOR THE CLOUDS (Yesim Ustaoglu, 2003)
  
• THE WATERMELON WOMAN (Cheryl Dunye, 1996)
  
• THE WAY WE ARE (Ann Hui, 2008)
  
• WENDY AND LUCY (Kelly Reichardt, 2008)
  
• WHALE RIDER (Niki Caro, 2002)
  
• WHEN NIGHT IS FALLING (Patricia Rozema, 1995)
  
• WHEN THE SEA RISES (Yolande Moreau, Gilles Porte, 2004)
  
• WHO’S COUNTING? MARILYN WARING ON SEX, LIES AND GLOBAL ECONOMICS (Terre Nash, 1995)
  
• WILBUR WANTS TO KILL HIMSELF (Lone Scherfig, 2002)
  
• WILL IT SNOW FOR CHRISTMAS? (Sandrine Veysset, 1996)
  
• WINGS (Larisa Shepitko, 1966)
  
• WINGS OF DESIRE (Wim Wenders, Claire Denis, 1987)
  
• YES (Sally Potter, 2004)
  

 

 

Where are the female directors? – Interessant artikkel som tar opp spørsmålet: Hvorfor regisseres fortsatt 96 % av alle filmer av menn?

 

Kom gjerne med tips til gode filmer regissert av kvinner, eller lag din egen topp 5-liste.

[magnusbe]

Catherine Breillat var den fyrste eg kom på.

[magnusbe]

Kathryn Bigelow (Point Break, Strange Days, Hurt Locker)

[magnusbe]

Her er ei veldig god liste:

http://en.wikipedia.org/wiki/Women%27s_cin...ll_selection.29

 

 

1890s-1940s

 

* 1896 La fée aux choux; director: Alice Guy-Blaché; one of the first narrative (fiction) films

* 1911 Bufera d'anime; director: Elvira Notari

* 1914 The Merchant of Venice; director: Lois Weber; the first full-length feature film directed by a woman

* 1921 The Blot; director: Lois Weber

* 1921 The Love Light; director: Frances Marion, starring Mary Pickford

* 1922 La souriante Madame Beudet (The Smiling Madame Beudet); director: Germaine Dulac; often cited as one of the first feminist feature films

* 1923 The Song of Love; director: Frances Marion, starring Norma Talmadge

* 1923–1926 Die Abenteuer des Prinzen Achmed (The Adventures of Prince Achmed); director: Lotte Reiniger — animated feature film

* 1927 The Fall of the Romanov Dynasty; director: Esfir Shub

* 1931 Mädchen in Uniform (Girls in uniform); director: Leontine Sagan

* 1933 Christopher Strong; director: Dorothy Arzner, a Hollywood studio feature film starring Katharine Hepburn

* 1935 Robin Hood (animated film); director: Joy Batchelor

* 1935 Triumph des Willens (Triumph of the Will); director: Leni Riefenstahl

* 1937 The Bride Wore Red; director: Dorothy Arzner, a Hollywood studio feature film starring Joan Crawford

* 1938 Olympia (1938 film); director: Leni Riefenstahl

* 1943 Meshes of the Afternoon (experimental film); director: Maya Deren; selected by the Library of Congress for preservation in the United States National Film Registry

 

[edit] 1950s-1960s

 

* 1950 Outrage; director: Ida Lupino, the first Hollywood studio feature directed by a women after Dorothy Arzner's films; the story of a rape

* 1953 The Hitch-Hiker; director: Ida Lupino, the first film noir directed by a woman; selected for preservation in the United States National Film Registry

* 1959 Bridges Go-Round; director: Shirley Clarke

* 1961 The Connection; director Shirley Clarke

* 1961 Cléo de 5 à 7 (Cleo from 5 to 7); director: Agnes Varda

* 1964 The Cool World; director: Shirley Clarke; the cruel reality of street life in the U.S.

* 1964 Älskande par (Loving Couples); director: Mai Zetterling

* 1966 Sedmikrasky (Daisies); director: Věra Chytilová — the story of two young girls who explore the world without taking it too seriously

* 1966 Blood Bath; director: Stephanie Rothman

* 1967 Portrait of Jason; director Shirley Clarke

* 1968 Rat Life and Diet in North America; director: Joyce Wieland

* 1969 La fiancée du pirate (A very curious girl); director: Nelly Kaplan

 

[edit] 1970s

 

* 1971 The Woman's Film; directors: Louise Alaimo, Judy Smith

* 1971 L'aggettivo donna; directors: Ronny Daopolus, Annabella Miscuglio; a radical feminist documentary which analyses the double exploitation of women workers and the isolated situation of housewives and children

* 1971 Wanda; director: Barbara Loden; an innovative, influential independent American film

* 1972 Sambizanga; director: Sarah Maldoror — feature film about the liberation movement in Angola

* 1972 The Heartbreak Kid; the first Hollywood studio film directed by a woman after Ida Lupino's The Trouble With Angels (1966), starring Hayley Mills; director: Elaine May

* 1972/73 Es kommt darauf an, sie zu verändern; director: Claudia von Alemann — organised women workers discuss the possibilities for change

* 1974 Il portiere di notte (The Night Porter); director: Liliana Cavani

* 1975 Kaddy Bekat — Lettre Paysanne (Letter from My Village); director: Safi Faye

* 1975 The Lost Honor of Katharina Blum (Die Verlorene Ehre der Katharina Blum oder: Wie Gewalt entstehen und wohin sie führen kann); directors: Margarethe von Trotta and Volker Schlöndorff

* 1975 Hester Street; director: Joan Micklin Silver; Academy Award nomination for Carol Kane as best actress

* 1976 Jeanne Dielmann 23 Quai du Commerce, 1080 Bruxelles; director: Chantal Akerman — the daily life of a housewife

* 1976 Pasqualino settebellezze (Seven Beauties); director: Lina Wertmüller; the first time a woman was nominated for an Academy Award for directing a feature film

* 1976 Harlan County, U.S.A.; director: Barbara Kopple; Academy Award winner for best documentary feature; selected for preservation in the United States National Film Registry

* 1977 First Love; director: Joan Darling

* 1978 Die allseitig reduzierte Persönlichkeit (The Universally Reduced Personality); director: Helke Sander

* 1978 The Mafu Cage; director: Karen Arthur

* 1978 Mais qu'est ce qu'elles veulent? (But what do they want, after all?) — director: Coline Serreau

* 1979 Daughter Rite; director: Michelle Citron — a feminist pseudo-documentary which deconstructs the conventions of Direct Cinema

* 1979 Bildnis einer Trinkerin (Aller jamais retour; Portrait of a Female Drunkard); director: Ulrike Ottinger

* 1979 Killing Us Softly; directors: Margaret Lazarus, Renner Wunderlich — the effects of advertising on women

* 1979 Deutschland bleiche Mutter (Germany Pale Mother); director: Helma Sanders-Brahms

* 1979 My Brilliant Career, starring Judy Davis; director: Gillian Armstrong

 

[edit] 1980s

 

* 1980 The Life and Times of Rosie the Riveter (documentary); director: Connie Field; selected for preservation in the United States National Film Registry

* 1981 Eight Minutes to Midnight: A Portrait of Dr. Helen Caldicott; director: Mary Benjamin; Academy Award nomination for best feature documentary

* 1981 The Decline of Western Civilization; director: Penelope Spheeris

* 1981 36 Chowringhee Lane; director: Aparna Sen

* 1982 Fast Times at Ridgemont High, starring Sean Penn; director: Amy Heckerling

* 1983 Yentl; director: Barbra Streisand

* 1983 Born in Flames; director: Lizzie Borden

* 1983 Le Grain de sable (Grain of Sand); director: Pomme Meffre — the gradual disintegration of a woman (played by Delphine Seyrig)

* 1983 "Variety"; director: Bette Gordon, starring Sandy McLeod

* 1985 Desperately Seeking Susan, starring Madonna; director: Susan Seidelman

* 1985 Verführung: die grausame Frau (Seduction: The Cruel Woman); directors: Elfi Mikesch, Monika Treut

* 1986 Children of a Lesser God; director: Randa Haines; Academy Award for Marlee Matlin as best actress

* 1988 Big, starring Tom Hanks; director: Penny Marshall

* 1988 Salaam Bombay!; director: Mira Nair; nominated for an Academy Award as Best Foreign Language Film (India)

* 1988 Love, Women, and Flowers (AmorR, Mujeres, y Flores); directors: Marta Rodriguez and Jorge Silva (Colombia)

* 1988 Little Dorrit (film); director: Christine Edzard

* 1988 Die Jungfrauenmaschine (Virgin Machine; director: Monika Treut

* 1988 Kali-Filme (Kalih Films); directors: Birgit Hein and Wilhelm Hein

* 1989 A Dry White Season; director: Euzhan Palcy

 

[edit] 1990s

 

* 1990 Europa, Europa; director: Agnieszka Holland

* 1990 An Angel at My Table; director: Jane Campion

* 1991 Point Break; director Kathryn Bigelow

* 1991 Daughters of the Dust; director: Julie Dash; selected for preservation in the United States National Film Registry

* 1991 A Place of Rage; director: Pratibha Parmar

* 1991 American Dream (film); director: Barbara Kopple; Academy Award winner for best documentary feature

* 1991 Proof (1991 film); director: Jocelyn Moorhouse; fascinating Australian film about a blind photographer starromg Hugo Weaving and Russell Crowe

* 1992 Orlando; director: Sally Potter

* 1992 A League of Their Own; director: Penny Marshall

* 1993 Bhaji on the Beach; director: Gurinder Chadha

* 1993 Sleepless in Seattle; director: Nora Ephron

* 1994 The Piano; director: Jane Campion, the second time a woman was nominated for an Academy Award for directing a feature film; Academy Award for Holly Hunter as best actress and Anna Paquin as best supporting actress

* 1994 Complaints of a Dutiful Daughter; director: Deborah Hoffman

* 1994 Black Beauty; director: Caroline Thompson

* 1995 Coûte que coûte (At all costs); director: Claire Simon — documentary

* 1996 Fire; director: Deepa Mehta

* 1996 Unstrung Heroes; director: Diane Keaton

* 1996 White Men Are Cracking Up; director: Ngozi Onwurah

* 1996 The Mirror Has Two Faces; director: Barbra Streisand; Academy Award nomination for Lauren Bacall as best supporting actress

* 1999 Boys Don't Cry (film); director: Kimberly Peirce; Academy Award for Hilary Swank as best actress; nomination for Chloë Sevigny as best supporting actress

* 1999 Romance; director: Catherine Breillat

* 1999 Titus; director: Julie Taymor

 

[edit] 2000s

 

* 2000 American Psycho (film); director: Mary Harron

* 2000 "Luminous Motion"; director: Bette Gordon, starring Deborah Kara Unger

* 2001 Nirgendwo in Afrika (Nowhere in Africa); director: Caroline Link; Academy Award winner as Best Foreign Language Film (Germany)

* 2001 Ophelia Learns to Swim; director: Jurgen Vsych

* 2002 "Frida"; director: Julie Taymor

* 2002 Whale Rider; director Niki Caro; Academy Award nomination for Keisha Castle-Hughes as best actress

* 2003 Te doy mis ojos (Take my eyes); director: Icíar Bollaín

* 2003 Thirteen; director Catherine Hardwicke; Academy Award nomination for Holly Hunter as best supporting actress

* 2003 Gujarat: A Laboratory of Hindu Rastra, Fascism; director: Suma Josson

* 2003 Monster (film); director: Patty Jenkins; Academy Award for Charlize Theron as best actress

* 2003 At Five in the Afternoon; director: Samira Makhmalbaf

* 2004 Lost in Translation (film); director: Sofia Coppola, the third time a woman was nominated for an Academy Award for directing a feature film; also nominated for best picture and best actor, Bill Murray

* 2004 Dear Frankie; director: Shona Auerbach, a 2004 British drama film set in a Glasgow suburb, starring Emily Mortimer and Gerard Butler

* 2004 Somersault (film); director: Cate Shortland, a 2004 Australian coming of age drama, starring Abbie Cornish

* 2005 Karov la bayit (Close to Home), directors: Dalia Hager, Vidi Bilu

* 2005 Born into Brothels: Calcutta's Red Light Kids (documentary); directors: Zana Briski, Ross Kauffman; Academy Award winner for best documentary feature

* 2005 North Country (film); director: Niki Caro; Academy Award nominated performances by Charlize Theron (best actress) and Frances McDormand (best supporting actress)

* 2005 Sisters of '77 (documentary); producers and directors: Cynthia Salzman Mondell and Allen Mondell; executive producer Ed Delaney; produced in association with The Women's Museum

* 2005 Look Both Ways; director: Sarah Watt, a 2005 Australian drama

* 2006 Marie Antoinette (2006 film), starring Kirsten Dunst; director: Sofia Coppola

* 2007 Feminine, Masculine (2007), director: Sadaf Foroughi

* 2007 Across the Universe; director: Julie Taymor

* 2008 The Hurt Locker; director: Kathryn Bigelow

 

[Newar]

Baise Moi - Virginie Despentes

[Coffey]

Hva med ... American Psycho?

[Valeit]

Vi har jo også Gina Prince-Bythewood(The Secret Life of the Bees)

[kjidel]

Hva med ... American Psycho?

 

Den har jeg ikke hatt gleden av å se ennå (denne var det forresten Oliver Stone som skulle regissere, før Mary Harron fikk det rett i fanget)

 

Men det slår meg at flere av de filmene jeg har sett som er regissert av kvinner, ofte er søtladne og veldig forutsigbare. Dette gjelder for eksempel for Sunshine Cleaning (Christine Jeffs), August Rush (Kirsten Sheridan), samt Waitress og Secret Life of Bees.

Endret 28. august 2009 av kjidel

[DoktorBacon]

Se The Hurt Locker. Mer adrenalinfylt og spennende film skal du leite lenge etter.