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There it goes again. Something definitely moved this time. It was very brief, but out of the corner of your eye, you saw something. But wait. All the doors are locked, no pets, and your parents won’t get home until 10. So there’s no way something moved. It’s just your imagination getting the best of you. Sitting alone in your room, the only light emitting from the monitor of your computer, you stare into the darkness for several minutes. Just to be sure. Now you feel silly. What were you thinking? Of course there’s nothing there. What, are you 6? Go back to what you were doing.

 

15 minutes later, as you prepare to go to bed, you’re in the bathroom. The shower curtains shift. Wait… no. Stop spooking yourself. It’s just an overactive imagination, filling your head with what isn’t really there. You gaze into the mirror at yourself. You say it to yourself, slowly and clearly, “Imagination.” With a sigh, you turn the lights off and head towards your room.

 

Laying in bed, you stare at your ceiling, dark and foreboding, only the motion of a small fan disturbing the calmness of the night. A shadow from the light in the hall shifts. No. No, no, no. Stop it. It’s your imagination. Just that. Go to sleep, you fool.

 

But then, just when you’re about to drift off to sleep, at the phase no one remembers when they wake, you sense something in the darkness. It’s your imagination, leering down at you. With a jagged, macabre smile.

 

 

chucky.jpg

 

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A man went to a hotel and walked up to the front desk to check in. The woman at the desk gave him his key and told him that on the way to his room, there was a door with no number that was locked and no one was allowed in there. Especially no one should look inside the room, under any circumstances. So he followed the instructions of the woman at the front desk, going straight to his room, and going to bed. The next night his curiosity would not leave him alone about the room with no number on the door. He walked down the hall to the door and tried the handle. Sure enough it was locked. He bent down and looked through the wide keyhole. Cold air passed through it, chilling his eye.

 

What he saw was a hotel bedroom, like his, and in the corner was a woman whose skin was completely white. She was leaning her head against the wall, facing away from the door. He stared in confusion for a while. He almost knocked on the door, out of curiosity, but decided not to. This disinclination saved his life. He crept away from the door and walked back to his room. The next day, he returned to the door and looked through the wide keyhole. This time, all he saw was redness. He couldn’t make anything out besides a distinct red color, unmoving. Perhaps the inhabitants of the room knew he was spying the night before, and had blocked the keyhole with something red.

 

At this point he decided to consult the woman at the front desk for more information. She sighed and said, "Did you look through the keyhole?" The man told her that he had and she said, "Well, I might as well tell you the story. A long time ago, a man murdered his wife in that room, and her ghost haunts it. But these people were not ordinary. They were white all over, except for their eyes, which were red."

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Have you ever been taking a shower and felt like something was moving around behind the curtain? Especially if you were alone? Like as if something were watching you? Did you look up? Did you catch the very vaguest hint of eyebrows or a tuft of matted, greasy hair above the curtain rod?

 

That's not a good idea. It doesn't really like it if you see it. It likes it the most when you've got shampoo on your hair, and your eyes are shut tight so they won't sting. Or even better, when there's soap and bubbles all over your soft face. It likes that the best, because your eyes are clenched so tight, and even if you did want to open them, like, if you heard a soft rasping of hard, dense hairs against the plastic shower curtain, or the scratching of claws on bathroom tile, or the gentle splatter of drool or cum or... god knows what... on the floor outside, well, you wouldn't open your eyes because it'd burn. Right?

 

Right.

 

Don't open your eyes. Because if you ever see its face, catch its eyes...

 

Well,

 

It'll notice.

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Oh noes creepies.

 

A young girl is left home alone with only her dog to protect her. When night approaches, she locks all the doors and tries to lock all the windows but one won't close.

 

She decides to leave it unlocked and goes to bed. Her dog takes its customary place under her bed.

 

In the deep of night she awakens to a dripping sound coming from the bathroom. The girl is too scared to go check so she reaches her hand under the bed. She feels a reassuring lick from her dog and falls back to sleep. She reawakens to the dripping sound, reaches her hand down to the dog where she feels the reassuring lick and falls back to sleep. Once more she awakens to the dripping sound. She reaches her hand down and feels the lick of her dog.

 

Now curious about the dripping sound, she gets up and slowly walks towards the bathroom, the dripping sound getting louder as she approaches. She reaches the bathroom and turns on the light. She is greeted by a horrific sight; hanging from the shower nozzle is her dog with its throat slit open and its blood dripping into the bathtub.

 

Something on the bathroom mirror catches her eye she turns around. Written on the bathroom mirror in her dog's blood are the words "HUMANS CAN LICK TOO".

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THE RAVEN

 

Once upon a midnight dreary, while I pondered, weak and weary,

Over many a quaint and curious volume of forgotten lore--

While I nodded, nearly napping, suddenly there came a tapping,

As of some one gently rapping--rapping at my chamber door.

"'Tis some visitor," I muttered, "tapping at my chamber door--

Only this and nothing more."

 

 

Ah, distinctly I remember, it was in the bleak December,

And each separate dying ember wrought its ghost upon the floor.

Eagerly I wished the morrow;--vainly I had sought to borrow

From my books surcease of sorrow--sorrow for the lost Lenore--

For the rare and radiant maiden whom the angels name Lenore--

Nameless here for evermore.

 

And the silken sad uncertain rustling of each purple curtain

Thrilled me--filled me with fantastic terrors never felt before;

So that now, to still the beating of my heart, I stood repeating

"'Tis some visitor entreating entrance at my chamber door--

Some late visitor entreating entrance at my chamber door;--

This it is and nothing more."

 

Presently my soul grew stronger; hesitating then no longer,

"Sir," said I, "or Madam, truly your forgiveness I implore;

But the fact is I was napping, and so gently you came rapping,

And so faintly you came tapping--tapping at my chamber door,

That I scarce was sure I heard you"--here I opened wide the door:--

Darkness there and nothing more.

 

Deep into that darkness peering, long I stood there wondering,

fearing,

Doubting, dreaming dreams no mortal ever dared to dream before;

But the silence was unbroken, and the darkness gave no token,

And the only word there spoken was the whispered word, "Lenore!"

This I whispered, and an echo murmured back the word, "Lenore!"

Merely this and nothing more.

 

Back into the chamber turning, all my soul within me burning,

Soon I heard again a tapping, somewhat louder than before.

"Surely," said I, "surely that is something at my window lattice;

Let me see, then, what thereat is, and this mystery explore--

Let my heart be still a moment, and this mystery explore;--

'Tis the wind and nothing more."

 

Open here I flung the shutter, when, with many a flirt and flutter,

In there stepped a stately Raven of the saintly days of yore;

Not the least obeisance made he: not an instant stopped or stayed he;

But, with mien of lord or lady, perched above my chamber door--

Perched upon a bust of Pallas just above my chamber door--

Perched, and sat, and nothing more.

 

Then this ebony bird beguiling my sad fancy into smiling,

By the grave and stern decorum of the countenance it wore,

"Though thy crest be shorn and shaven, thou," I said, "art sure no

craven,

Ghastly grim and ancient Raven wandering from the Nightly shore--

Tell me what thy lordly name is on the Night's Plutonian shore!"

Quoth the Raven, "Nevermore."

 

Much I marvelled this ungainly fowl to hear discourse so plainly,

Though its answer little meaning--little relevancy bore;

For we cannot help agreeing that no living human being

Ever yet was blessed with seeing bird above his chamber door--

Bird or beast upon the sculptured bust above his chamber door,

With such name as "Nevermore."

 

But the Raven, sitting lonely on that placid bust, spoke only

That one word, as if his soul in that one word he did outpour.

Nothing further then he uttered--not a feather then he fluttered--

Till I scarcely more than muttered, "Other friends have flown before--

On the morrow _he_ will leave me, as my hopes have flown before."

Then the bird said, "Nevermore."

 

Startled at the stillness broken by reply so aptly spoken,

"Doubtless," said I, "what it utters is its only stock and store,

Caught from some unhappy master whom unmerciful Disaster

Followed fast and followed faster till his songs one burden bore--

Till the dirges of his Hope the melancholy burden bore

Of 'Never--nevermore.'"

 

But the Raven still beguiling all my sad soul into smiling,

Straight I wheeled a cushioned seat in front of bird and bust and

door;

Then, upon the velvet sinking, I betook myself to linking

Fancy unto fancy, thinking what this ominous bird of yore--

What this grim, ungainly, ghastly, gaunt, and ominous bird of yore

Meant in croaking "Nevermore."

 

This I sat engaged in guessing, but no syllable expressing

To the fowl whose fiery eyes now burned into my bosom's core;

This and more I sat divining, with my head at ease reclining

On the cushion's velvet lining that the lamp-light gloated o'er,

But whose velvet violet lining with the lamp-light gloating o'er,

_She_ shall press, ah, nevermore!

 

Then, methought, the air grew denser, perfumed from an unseen censer

Swung by Seraphim whose foot-falls tinkled on the tufted floor.

"Wretch," I cried, "thy God hath lent thee--by these angels he hath

sent thee

Respite--respite aad nepenthe from thy memories of Lenore!

Quaff, oh quaff this kind nepenthe, and forget this lost Lenore!"

Quoth the Raven, "Nevermore."

 

"Prophet!" said I, "thing of evil!--prophet still, if bird or devil!--

Whether Tempter sent, or whether tempest tossed thee here ashore,

Desolate yet all undaunted, on this desert land enchanted--

On this home by Horror haunted--tell me truly, I implore--

Is there--_is_ there balm in Gilead?--tell me--tell me, I implore!"

Quoth the Raven, "Nevermore."

 

"Prophet!" said I, "thing of evil!--prophet still, if bird or devil!

By that Heaven that bends above us--by that God we both adore--

Tell this soul with sorrow laden if, within the distant Aidenn,

It shall clasp a sainted maiden whom the angels name Lenore--

Clasp a rare and radiant maiden whom the angels name Lenore."

Quoth the Raven, "Nevermore."

 

"Be that word our sign of parting, bird or fiend!" I shrieked,

upstarting--

"Get thee back into the tempest and the Night's Plutonian shore!

Leave no black plume as a token of that lie thy soul hath spoken!

Leave my loneliness unbroken!--quit the bust above my door!

Take thy beak from out my heart, and take thy form from off my door!"

Quoth the Raven, "Nevermore."

 

And the Raven, never flitting, still is sitting, still is sitting

On the pallid bust of Pallas just above my chamber door;

And his eyes have all the seeming of a demon's that is dreaming,

And the lamp-light o'er him streaming throws his shadow on the floor;

And my soul from out that shadow that lies floating on the floor

Shall be lifted--nevermore!

 

Endret av Skarstad
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[..] claimed that the characters in the painting moved during the night, and that they would sometimes leave the painting and enter the room in which it was being displayed. Included with the listing were a series of photographs that were said to be evidence of an incident in which the female doll character threatened the male character with a gun that she was holding, causing him to attempt to leave the painting [..] Some people claimed that simply viewing the photos of the painting made them feel ill or have unpleasant experiences.

 

bj40hEoNv4ezza24V2R27zDG_r1_500.jpg

 

bj40hEoNv510hg4fCbnJPTWr_500.jpg

 

» http://en.wikipedia.org/wiki/The_Hands_Resist_Him

 

--------------------

 

bj40hEoNv4l9grjk0Y9GYsVj_500.jpg

 

Most people interested in ghosts and other paranormal stuff have seen this image before. Some say that if you watch if for more than 5 minutes, you’ll be crazy.
Endret av loathsome
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